From excellent titles like Graceful Explosion Machine to enhanced re-releases like Striker 1945, there’s no shortage of shoot ‘em ups on the Switch right now. The bullet hell subgenre is also gaining some more representation on the console, with the release of Sine Mora EX, an enhanced release of
Driving my wraith glaive into the ground, I proclaim that I have taken this fortress in the name of the Bright Lord. Scores of Orcs howl and shriek as we collectively revel in our rather simple and uncomplicated victory. We came. We saw. We conquered. Conquest, and its interaction with
Sequel series in manga are always a tricky thing to tackle: depending on the genre, you’ll want to appeal to readers new and old, and if done incorrectly, you can end up alienating both audiences unintentionally. Such is the problem that Tokyo Ghoul:re wishes to solve; set soon
This week, we discuss the shuttering of EA’s Visceral Games Studio and what it means for the future of linear, narrative-driven games. We also talk about Middle Earth: Shadow of War’s loot box problem and our review of South Park: The Fractured But Whole.
Every week, Mike Pearce
The year is 1911, and just a few years prior in 1899, the oceans rose, flooding coastal cities. Cities that once housed millions became sunken wastelands, but not New York. The city that never sleeps, ever resilient, banded together and not only survived, but thrived. Forming their own governments, the
From excellent titles like Graceful Explosion Machine to enhanced re-releases like Striker 1945, there’s no shortage of shoot ‘em ups on the Switch right now. The bullet hell subgenre is also gaining some more representation on the console, with the release of Sine Mora EX, an enhanced release of
Driving my wraith glaive into the ground, I proclaim that I have taken this fortress in the name of the Bright Lord. Scores of Orcs howl and shriek as we collectively revel in our rather simple and uncomplicated victory. We came. We saw. We conquered. Conquest, and its interaction with
Sequel series in manga are always a tricky thing to tackle: depending on the genre, you’ll want to appeal to readers new and old, and if done incorrectly, you can end up alienating both audiences unintentionally. Such is the problem that Tokyo Ghoul:re wishes to solve; set soon
This week, we discuss the shuttering of EA’s Visceral Games Studio and what it means for the future of linear, narrative-driven games. We also talk about Middle Earth: Shadow of War’s loot box problem and our review of South Park: The Fractured But Whole.
Every week, Mike Pearce
The year is 1911, and just a few years prior in 1899, the oceans rose, flooding coastal cities. Cities that once housed millions became sunken wastelands, but not New York. The city that never sleeps, ever resilient, banded together and not only survived, but thrived. Forming their own governments, the
