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Reviews   -   Nov 07, 2025 Conan: Scourge of the Serpent #2 review — The serpentine plot prepares to strike
King Kull, Conan, and John Kirowan stand ready to face the forces of Set in Conan: Scourge of the Serpent #2

Shapeshifters, narrow escapes, and evil forces from ages past threaten all ages of the Howardverse

by Tim Jenkins
Reviews   -   Oct 24, 2025 Sinister’s Six #1 review — An unlikely group unites under Marvel’s most infamous geneticist
Mr. Sinister's team of mutants stands ready on the cover of Marvel's Sinister's Six #1

Has the Age of Revelation inspired Mr. Sinister to turn over a new leaf? Or are his motivations more sinister?

by Tim Jenkins
Reviews   -   Oct 22, 2025 Spider-Man ‘94 #2 review — Spidey finds himself up against his deadliest foe yet
Spider-Man finds himself ensnared by a fiendish foe on the cover of Marvel's Spider-Man '94 #2

The 90s are long behind us, but Peter’s problems never are

by Tim Jenkins
Reviews   -   Oct 13, 2025 Spider-Man Noir (2025) #1 review — Can this spider-sleuth solve the murder of Captain Stacy?
This noir version of Spider-Man crouches in wait atop a tall building on the cover of Spider-Man Noir #1 from Marvel Comics

Just try reading it without hearing Nicholas Cage's voice

by Tim Jenkins
Reviews   -   Oct 08, 2025 Conan the Barbarian #25 review — A deluxe-sized tribute to Conan’s immortal legacy
King Conan stands amongst the ghosts of his fast adventures on the cover of Conan the Barbarian #25 from Titan Comics

Journey through the incredible life of the legendary barbarian

by Tim Jenkins
Reviews   -   Oct 02, 2025 Kraken Vol. 1 review — A high-stakes supernatural adventure set in the 1930s
Captain Kraken stands front and center on the cover of Kraken Vol. 1 from Titan Comics.

Monsters and Nazis. What’s the difference?

by Tim Jenkins
Reviews   -   Oct 02, 2025 Demon Slayer: Kimetsu no Yaiba Infinity Castle review —Gorgeous garbage
Demon Slayer: Kimetsu no Yaiba Infinity Castle review —Gorgeous garbage

A release method putting YA novel movies to shame

by Martin Du
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